March 29, 2024

Why to Write Like There’s No Tomorrow

Write Like There's No Tomorrow Recently, Mychal Denzel Smith was a guest on my podcast, Write-minded. I asked him, “How do you think about consequence when you set out to write your thoughts and opinions about what you see out there in the world?” I loved his answer, which was to turn the question back on me: Consequence in what direction and for whom? He went on to ponder the question of consequence. If my question was about him, the writer, then what are the personal consequences … [Read more...]

Pushing the Fear of Being Sued to Where It Belongs—on the Backburner

Brooke Warner and I have taught hundreds of students in our memoir workshops and classes, and presented memoir topics at dozens of conferences. In every single course we teach, a writer will invariably raise her hand, looking a bit pale and scared, and say: “I can’t write my story because I’m afraid of being sued.” Other writers can’t get the image of angry ex-partners or friends or coworkers out of their minds. If you write what really happened, can these aggrieved people sue you?   Fear of … [Read more...]

Writing Through Exposure in Memoir

Memoir, as a genre, requires intimacy and self-exposure. It demands confession and deep dives into the truths of our inner lives. When we write a memoir, we enter into a contract with the reader: we’ll reveal the truth of our experiences, our emotional truth. But how much? How detailed? And what are we allowed to hold back? These are questions all memoirists encounter, especially at the beginning of the writing journey.Another question every memoir writer will face has to do with exposure—how … [Read more...]

Overcoming the Fear of Getting It Right

On September 20, Stephanie Foo, author of What My Bones Know, will be joining us to teach for our newest series, THE COURAGE TO WRITE FEARLESSLY, on the topic of “getting it right,” and how to overcome the intellectual and emotional obstacles to that particular expectation when you’re writing your memoir.I adored this book, which was what prompted us to invite Stephanie to teach for us in this series. Some of the things Stephanie wrestled with getting right, she shared with me, were being a … [Read more...]

The Intersection of Memoir and Poetry

This post is inspired by Jacqueline Woodson, author of many books, including her memoir-in-verse, Brown Girl Dreaming. In addition to teaching in our upcoming boot camp (September 22-October 27), Jacqueline is a guest this week on my podcast, "Write-minded," where she shared her thoughts about memoir and poetry. She said: When we’re writing memoir, we’re writing the small moments. When we think about memory, memory does not come in a linear narrative. Memory comes to us with lots of … [Read more...]

Getting to What Matters Quickly and Succinctly

What’s your focus and what’s your point? These are the most important questions you can ask as you start to unwind the threads of your life in your memoir. Brevity forces us to think about the best words or brief phrases that express a complex story. When writers are asked, “What’s your memoir about?” Brooke and I observe that oftentimes the responses can be a meandering attempt to find the heart of the story, often missing the essence of the message they want to convey. Publishers and … [Read more...]

What to Share When Writing a Memoir

Who cares? is one of the most common assaults memoir writers are subjected to, and it’s usually lobbed at them by their own inner critic. Memoir writers face critical voices—their own and others’—who state that the story/message/idea is trivial, boring, not worth sharing. It’s so important for memoirists to get past these messages in order to set free the story that wants to be told. Here are some tips for memoir writers, especially those struggling with their inner critics, whose primary goal … [Read more...]

What To Say When Someone Suggests You Turn Your Memoir into a Novel

Of course you say, “Thank you very much for that insight,” because you’re polite and the person who’s suggesting this is undoubtedly an agent or an editor who doesn’t really understand the soul-power of memoir or what draws writers to it. Inside you may be thinking, Hell, no! Or worse, Maybe she’s right. That would be easier, after all. Whether you’re an aspiring memoirist, have a memoir-in-progress, or have one or a few published memoirs to your credit, you are in serious danger of being … [Read more...]

My Top 10 Fall Memoir Tips

Fall is right around the corner, and I'm sharing my top 10 memoir tips as inspiration for this season I love, which can be a prolific time for writers, but also sometimes difficult. We've got the fresh start of back-to-school alongside holiday overwhelm, presenting conflicting energies for some. So dive in, and share anything that keeps you moving from month-to-month too. 1. Choose a structure Memoirists can benefit from having a structure in place before they start writing. You can and … [Read more...]

The Real Magic of Memoir: Thoughts on Reading and Judging Submissions for The Magic of Memoir

This month we had the privilege of reviewing 185 submissions from memoirists or memorists-in-the-making for our anthology, The Magic of Memoir, coming out this November on She Writes Press. The experience of reading so many inspiring and heartfelt works from writers from all paths, and various levels of writing and publishing experience, confirmed for us what we already knew to be true: memoir holds magic. What is this magic? All the writers who submitted to the anthology explored the … [Read more...]